The color scheme I’m trying to exploit here is called a secondary color scheme. A color scheme is a defined arrangement of colors usually based on their positioning on the color wheel. Purple is used because I’m trying to exploit a specific color scheme. This color is appropriately dark purple and you might be wondering why purple? You can see here in the shadowed area of the first fin that we are addressing that I’ve decided to add a little bit of purple to the mix. This doesn’t mean that you start with a heavy application, it just means that you will slowly and gradually build up a heavy application. Instead, you should try to build up to a heavy application. This is another mistake people often make with colored pencils. I’m applying the colored pencils in a way that the application appears solid – so that none of the color of the paper is showing through. This layering adds to the complexity of the color, making your drawing look more natural. Colored pencils are at their best when they’re layered. Make sure to take your time and patiently layer your colored pencil applications. Now that I have my formula in place, I’ll simply work my way out from this location.Īs we work each area, we’ll adjust the formulation that we use appropriately. Orange is mixed by combining yellows and reds, so it makes sense to use yellows and reds in orange areas. Remember, we want to create variety in the color. So in this case, I’ll layer a bit of poppy red over the top in some of the areas. Now, there are some reds here too and I don’t want to lose those. I’ll layer some lighter yellow-oranges, including yellowed orange and a bit of cream. The values on the head of the fish are much lighter. I’ll start in a small area and come up with a formula of how I’m going to layer my pencils to build up the color and value. This is typically how I like to work with a colored pencil drawing. So add a little bit of dark umber over the top. This makes the value darker, but a little bit too cool. This color is terra cotta and it does make the value darker, but not quite dark enough. Over the top, I’m adding a little bit more of an earthier red-orange. For the most part, I start with just a standard orange colored pencil. You can see I’ve got a broad range of value in this small little section. If I want it to be warmer, I’ll just add more of the dark umber.įrom this eye, I’m going to start working outward, layering different varieties or different versions of oranges, yellow-oranges, and red-oranges – a bit of white and gray as well.Īs I work, I’m trying to come up with a formula for how I’m going to layer my colored pencil applications. If I want my black to appear a little cooler, I’ll add a little bit more of the indigo blue. This creates a more natural looking black that gives me full control over the color temperature. Instead, I’m using a combination of indigo blue and dark umber. I’m not going to use the color black at all. I’ll start with the eye, building up a natural black. Now we’re ready to begin with colored pencil applications. See also: Is It OK to Trace in Art? Formulaic Colored Pencil Applications When we remove the photo reference, we can see that we have a contour line drawing in place of our koi fish. I’m careful not to place too much pressure on the pencil though because I don’t want to create grooves in the finished surface. Using a lead holder with sharpened lead, I trace over all of the contour lines I wish to transfer. Now, we’ll need to use a sharp tool in order to place pressure on all the contour lines to basically transfer the PanPastel material onto the drawing surface. Then we’re going to carefully place our photo reference over the top and tape it down very gently with a few pieces of masking tape. I’ll take my drawing paper, which I’ve already prepared and tape it down in place so it doesn’t move. I’ve printed out the photo reference on just regular typing paper and I’m using the white PanPastel and applying it fairly liberally to the back of the photo reference. We’ll use a bit of PanPastel and apply it to the back of the photo reference. We’re going to start out by using a transfer process to ensure that we get the contour lines of our fish in place on our drawing surface. A photo reference is used to create the drawing.
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